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產(chǎn)品小貼士:

  1. 大理石產(chǎn)品:做好隔熱處理:不要讓85°以上的物體直接接觸大理石;當(dāng)高溫物體接觸大理石時(shí),需添加隔熱墊,防止臺(tái)面褪色或破裂。
  2. 布藝沙發(fā)的保養(yǎng)、清潔:在清洗沙發(fā)護(hù)套后需要注意,不是所有的護(hù)套都能熨燙的。有些彈性護(hù)套是必須避免熨燙的,即使要熨也要考慮布料的外觀,熨護(hù)套內(nèi)側(cè)會(huì)比較合適,如果護(hù)套是棉質(zhì),則更不適宜熨燙。
  3. 皮質(zhì)保養(yǎng):先用干凈的軟布將灰塵凈,再將軟用1:10肥皂水或1:20的洗發(fā)水溶液浸濕擰干后,輕輕擦拭污漬處。

S 533 N THONET ALL SEASONS 戶(hù)外椅子

品牌:THONET

產(chǎn)地:德國(guó)

注:點(diǎn)擊圖片查看大圖

1620980593(1)

更多尺寸及材質(zhì)請(qǐng)咨詢(xún)?cè)O(shè)計(jì)師

設(shè)計(jì)師:MIES VAN DER ROHE

出廠年份:1927

產(chǎn)品簡(jiǎn)介

Timeless elegance with the comfort of an armchair: the cantilever chair S 533

Technology becomes furniture; a striking invention becomes an elegant interior design object. Ludwig Mies van der Rohe was the first to provide the cantilever chair with aesthetic lightness and to relate it to its environment with curved lines. In the run-up to the Weissenhof Estate exhibition, which he organised, Mies van der Rohe became familiar with the principle of the cantilever chair thanks to Mart Stam. As new as this approach may have been, Mies van der Rohe was not impressed with its first implementation by Stam. He immediately answered the technological innovation with his own aesthetic solution, which he was able to present in 1927. The S 533 is one of the first cantilever chairs, and it defines the surrounding environment with its large, elegantly curved circular tubular steel form. The S 533 is characterized by an intentional restriction of materials used, the elegance of lines and the transparency in its effect.

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-S 533 N THONET ALL SEASONS 戶(hù)外椅子